SETTING -- The
time and location in which a story takes place is called the
setting. For some stories the setting is very important, while for
others it is not. There are several aspects of a story's setting to
consider when examining how setting contributes to a story (some, or
all, may be present in a story):
a) place -
geographical location. Where is the action of the story taking
place?
b) time - When is the story taking
place? (historical period, time of day, year, etc)
c) weather conditions - Is it rainy,
sunny, stormy, etc?
d) social conditions - What is the daily
life of the character's like? Does the story contain local color
(writing that focuses on the speech, dress, mannerisms, customs,
etc. of a particular place)?
e) mood or atmosphere - What feeling is
created at the beginning of the story? Is it bright and
cheerful or dark and frightening?
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PLOT -- The plot is how the author
arranges events to develop his basic idea; It is the sequence of
events in a story or play. The plot is a planned, logical series of
events having a beginning, middle, and end. The short story usually
has one plot so it can be read in one sitting. There are five
essential parts of plot:
a) Introduction - The
beginning of the story where the characters and the setting is
revealed.
b) Rising Action - This
is where the events in the story become complicated and the
conflict in the story is revealed (events between the
introduction and climax).
c) Climax - This is the
highest point of interest and the turning point of the story.
The reader wonders what will happen next; will the conflict be
resolved or not?
d) Falling action - The
events and complications begin to resolve themselves. The
reader knows what has happened next and if the conflict was
resolved or not (events between climax and denouement).
e) Denouement - This is
the final outcome or untangling of events in the story.
It is helpful to consider climax as a three-fold
phenomenon: 1) the main character receives new information 2)
accepts this information (realizes it but does not necessarily agree
with it) 3) acts on this information (makes a choice that will
determine whether or not he/she gains his objective).
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CONFLICT-- Conflict
is essential to plot. Without conflict there is no plot. It is the
opposition of forces which ties one incident to another and makes
the plot move. Conflict is not merely limited to open arguments,
rather it is any form of opposition that faces the main character.
Within a short story there may be only one central struggle, or
there may be one dominant struggle with many minor ones.
There are two types
of conflict:
1) External - A struggle with a force
outside one's self.
2) Internal - A struggle
within one's self; a person must make some decision, overcome
pain, quiet their temper, resist an urge, etc.
There are four kinds
of conflict:
1) Man vs. Man (physical) - The leading
character struggles with his physical strength against other
men, forces of nature, or animals.
2) Man vs. Circumstances
(classical) - The leading character struggles against fate, or
the circumstances of life facing him/her.
3) Man vs. Society
(social) - The leading character struggles against ideas,
practices, or customs of other people.
4) Man vs.
Himself/Herself (psychological) - The leading character
struggles with himself/herself; with his/her own soul, ideas of
right or wrong, physical limitations, choices, etc.
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CHARACTER -- There are two meanings
for the word character:
1) The person in a work of fiction.
2) The characteristics of a person.
Persons in a work of
fiction - Antagonist and Protagonist
Short stories use few characters. One character is
clearly central to the story with all major events having some
importance to this character - he/she is the PROTAGONIST. The
opposer of the main character is called the ANTAGONIST.
The Characteristics of a
Person -
In order for a story to seem real to the reader its
characters must seem real. Characterization is the information the
author gives the reader about the characters themselves. The author
may reveal a character in several ways:
a) his/her physical appearance
b) what he/she says, thinks, feels and dreams
c) what he/she does or does not do
d) what others say about him/her and how others
react to him/her
Characters are convincing if they
are: consistent, motivated, and life-like (resemble real people)
Characters are...
1. Individual - round, many sided and
complex personalities.
2. Developing - dynamic, many sided
personalities that change, for better or worse, by the end of the
story.
3. Static - Stereotype, have one or two
characteristics that never change and are emphasized e.g. brilliant
detective, drunk, scrooge, cruel stepmother, etc.
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POINT OF VIEW
Point of view, or p.o.v., is defined
as the angle from which the story is told.
1. Innocent Eye - The
story is told through the eyes of a child (his/her judgment being
different from that of an adult) .
2. Stream of Consciousness
- The story is told so that the reader feels as if they are inside
the head of one character and knows all their thoughts and
reactions.
3. First Person - The
story is told by the protagonist or one of the characters who
interacts closely with the protagonist or other characters (using
pronouns I, me, we, etc). The reader sees the story through this
person's eyes as he/she experiences it and only knows what he/she
knows or feels.
4. Omniscient- The
author can narrate the story using the omniscient point of view. He
can move from character to character, event to event, having free
access to the thoughts, feelings and motivations of his characters
and he introduces information where and when he chooses. There are
two main types of omniscient point of view:
a) Omniscient Limited
- The author tells the story in third person (using pronouns they,
she, he, it, etc). We know only what the character knows and what
the author allows him/her to tell us. We can see the thoughts and
feelings of characters if the author chooses to reveal them to us.
b) Omniscient Objective
– The author tells the story in the third person. It appears as
though a camera is following the characters, going anywhere, and
recording only what is seen and heard. There is no comment on the
characters or their thoughts. No interpretations are offered. The
reader is placed in the position of spectator without the author
there to explain. The reader has to interpret events on his own.
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THEME -- The theme in a
piece of fiction is its controlling idea or its central insight. It
is the author's underlying meaning or main idea that he is trying to
convey. The theme may be the author's thoughts about a topic or
view of human nature. The title of the short story usually points
to what the writer is saying and he may use various figures of
speech to emphasize his theme, such as: symbol, allusion, simile,
metaphor, hyperbole, or irony.
Some simple
examples of common themes from literature, TV, and film are:
- things are not always as they appear to be
- Love is blind
- Believe in yourself
- People are afraid of change
- Don't judge a book by its cover |